If your Surface Pro 2 has been underperforming in terms of battery life, go upgrade to the latest firmware release: it provides an almost 20 percent increase in longevity. Which is kinda crazy.
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Source: http://feeds.gawker.com/~r/gizmodo/full/~3/pUTHbrgXvys/if-your-surface-pro-2-has-been-underperforming-in-terms-1457978272
Prezi DesktopWake up your presentations by zooming in to your talking points. You can also add text, images, and media in a unique format.
Once you notice your colleagues are catching up on their sleep during your PowerPoint presentations, you know you need Prezi Desktop. Using this software, you can wake up your presentations using animation that doesn't suck. Forget transitions and effects like dissolve and fly-in, Prezi Desktop focuses in on your important points within your slides, like actually visually focuses in.
Many of Prezi Desktop's 50+ templates include 3D animation. In this one, you start out in a forest and then move through the trees.Prezi Desktop is similar to the online Prezi, but as you might guess from the name, it doesn't require an Internet connection after the initial registraion. This means that any storage limits are on your end, not on Prezi's cloud. It's also awfully handy to work offline when you're incorporating last-minute changes on a flight or at the slightly-too-rustic site for the company retreat.
The program opens with over 50 slide templates to choose from, all of which include animation built right in, and many of which include photo-realistic graphics or 3D aspects. You add text, images, and YouTube movies to areas of the slide and create a path for the animation to follow. Prezi flows seamlessly between these areas.
Filling in Prezi Desktop slides in a simple click-and-type affair.Some of Prezi's 3D effects are better than others, with a few giving the impression of rotating the base image rather than actually occurring in three dimensions. You can add shapes and drawings from Prezi's library but they are not editable, so if you want to create a very unique Prezi you'll also need software to create PDF, PPT, or image files to import. And you may want to stick to a very basic Prezi if you're presenting to the National Association of Motion Sickness Sufferers, because the flow of the presentation can be disconcerting.
With credit card information in hand, Prezi Desktop offers a 30-day free trial of the Enjoy ($59 annually) or Pro ($159 annually) subscription, as well as the completely free (no credit card needed) Public version. Once the 30 days are up, only the Pro version supports Prezi Desktop. Your presentations are all public with the Public version of Prezi, and you get only 100MB of storage per user. With Prezi Desktop Enjoy and Pro subscriptions, you can keep your presentations private, eliminate the Prezi branding, and receive 500MB (Enjoy) or 2GB (Pro) of storage space.
You can tweak the text formatting in your Prezi Desktop slides.Prezi Desktop can get pricey, and it won't fix a really bad presentation, but it will certainly help keep your visuals—and your audience—focused. Plus you'll never be bothered by snoring during a presentation again.
Note: The Download button takes you to the vendor's site, where you can download the latest version of the software.
Should European enterprise startups stay in Europe or head to Silicon Valley? That’s a question our enterprise panel with TechCrunch’s Ingrid Lunden, Klarna‘s Niklas Adalberth, Huddle‘s Andy McLoughlin and Zendesk‘s Mikkel Svane at TechCrunch Disrupt Europe in Berlin tackled today. Both Zendesk and Huddle decided to move a large part of their companies to the U.S. while the Swedish payments and e-commerce company Klarna decided to stay in Europe.
For Klarna, of course, being in the payments business means it has to deal with a variety of regulatory issues that make it easier for the team to grow inside the more homogeneous European market. Moving outside of Europe, Adalberth argued, is “tricky.” Payments, he also believes, are local by default and because the company only tries to tackle a few new markets per year, it will likely stick with expanding to more European markets for now and only look into expanding to the U.S. at a later time.
Huddle’s Andy McLoughlin
What Klarna has, though, are U.S. investors and so the team believes that while it may miss out on some of the action in Silicon Valley, it’s still connected to the Valley in many ways.
For Zendesk, moving to the U.S. was apparently on the radar very early on. As Svane told the audience, it’s business grew very quickly in the U.S. – but not because it specifically targeted the U.S. market but because “the early adopters and tech hungry companies are in the U.S.”
He also admitted that he got bitten by what he called the “TechCrunch bug.” “We heard all about the action taking place in San Francisco and the big rounds and the free T-shirts,” he said. “We had this American dream and wanted to be where the action takes place.”
For Huddle, the reason for moving a large part of its operations to the U.S. was quite different, though. When the company raised its B round, its investors really wanted at least one – if not both – of the founders to move to Silicon Valley. Not every company, McLoughlin noted, needs to be in Silicon Valley. “If you work in fashion, you don’t need to be in Silicon Valley,” he said. But if you are an enterprise company and looking for funding, Silicon Valley is “where the funding is. It’s where the press are and it’s where the guys who will buy you are if you’re looking to get acquired.”
The company decided on keeping a good number of its engineering staff in Europe, however. This “bastard model,” as the panelists called it has its own challenges (not the least because of the time difference between California and Europe), but it’s worth it in the end. Both McLoughlin and Svane agreed that this hybrid model also helps companies to internationalize in the long run.
7:06 AM PDT 10/31/2013 by Todd McCarthy, David Rooney, Stephen Dalton, Leslie Felperin
From "Psycho" to "Ringu," Todd McCarthy, David Rooney, Leslie Felperin and Stephen Dalton reveal their selections for the films that offer the most frights.
'Frankenstein' (1931)
What would the world of fright, monsters and horror have been without Frankenstein? The massively popular 1931 Universal film is scarcely scary today, but it remains stylish and insinuating and is one of the essential Hollywood films of any kind because of the seeds it planted that have bloomed, multiplied and thrived ever since: The idea of man through science creating a new, and warped, form of life; the virtually indestructible monster, the vulnerability of children to horrible evil and the sensitivity, heart and appeal that even grotesque monsters can possess beneath the gruesome surface. -- TM
'Psycho' (1960)
The violations of cinematic propriety committed by Psycho -- the abrupt and violent murders, the killing of the star halfway through, the near-nudity, the upfront sexual matinee, the underlying despair and lack of reassurance -- are hardly shocking today. But the mere title of Alfred Hitchcock's most famous film stands as the signpost for all that would come after: the preoccupation with the deranged, the misfits, the loners, the mass murderers and the loonies who would henceforth rule the horror genre. To be sure, the film still plays well today thanks to its stripped-down obsessiveness, Bernard Herrmann's indispensable score, the actors and the insidious mystery at its center. -- TM
'Night of the Living Dead' (1968)
George A. Romero needs no paternity test to lay claim to being the father of all zombies the world has seen since 1968. One of the seminal films of all time, for its trail-blazing creative approach to horror as well as for its resourcefulness as an out-of-nowhere independent film, Night of the Living Dead remains scary as hell 45 years later and, along with Romero's first sequel, Dawn of the Dead, stands as one of the few films of its type that can make serious claims to genuine artistic accomplishment. The combination of the lyrical and the implacable matter-of-factness of the zombie onslaught is chilling, making for a sense of realism that the genre has often ignored to its peril. -- TM
'Rosemary's Baby' (1968)
When Mia Farrow and John Cassavetes take an apartment in New York’s creepy if swanky Dakota building, the neighbors seem so nice and friendly -- that is, until they turn out to be Satanists. They proceed to drug Farrow’s titular character and get her knocked up by Lucifer himself in a hallucinatory scene that still chills, despite the now dated looking 1960s effects and camerawork. Farrow knocks it out of the park with her panicked performance, making for a terrific parable about female anxieties around motherhood and one of Roman Polanksi’s best works. -- LF
'The Exorcist' (1973)
Catholicism and horror have often gone hand in hand, but rarely so effectively as in William Friedkin’s Georgetown Gothic based on William Peter Blatty’s best-seller. The lines around the block at movie theaters were unprecedented for a supernatural shocker at the time, and the movie’s iconic status has endured for four decades. Ellen Burstyn plays the actress mother of Linda Blair’s possessed tween Regan, who spews out demon dialogue (and pea soup) in the sinister growl of Mercedes McCambridge. Even without the infamous spider-walk scene that was reintegrated into the 1998 25th anniversary reissue, this is bone-chilling stuff.
-- DR
'The Texas Chainsaw Massacre' (1974)
A gang of stranded teenagers become prey to a family of backwoods maniacs in Tobe Hooper’s grimy landmark in low-budget grunge-horror, which arguably invented the sadistic “torture porn” genre. A redneck bloodbath that gave shock-rock cinema one of its most memorable bad-ass icons, the masked killer Leatherface, the movie provoked theater bans and media controversy, but is now widely regarded as a classic and part of the permanent collection at New York’s Museum of Modern Art. Leatherface was loosely based on serial killer Ed Gein, whose grisly exploits also inspired Psycho. -- SD
'Carrie' (1976)
It didn’t take the cool reception to Kimberly Peirce’s recent remake to confirm the elevated position held by Brian De Palma’s film of the Stephen King novel about a bloody prank that unleashes hell on prom night. As the ostracized telekinetic teen and her religious crackpot mother, Sissy Spacek and Piper Laurie both scored deserved Oscar nominations, at that time still relatively uncommon for actors in an unapologetically exploitative genre movie. Its deft combination of high school cruelty, sly humor and lushly lyrical violence is perfection. “They’re all gonna laugh at you!” They’ll scream too. -- DR
'The Omen' (1976)
Another demon-child saga to make parents squirm, Richard Donner’s feature is a less lurid but no less alarming foray into Exorcist territory. Gregory Peck is the U.S. ambassador to Britain married to Lee Remick. After an ill-advised switch in a Roman hospital, they find themselves raising the antichrist. Oops. The kid with the 666 birthmark is watched over by a nanny – played by the supremely icy Billie Whitelaw as Satan’s ambassador to Earth – and her snarling Rottweiler. Neither the sequels nor the remake come close, though I do have a soft spot for Lee Grant going up in flames in Damien: Omen II. -- DR
'Suspiria' (1977)
A visually ravishing exercise in gothic Eurotrash excess, the Italian horror maestro Dario Argento’s most celebrated nerve-shredder marries the pagan darkness of ancient fairy tales with the Technicolor delirium of golden-age Hollywood. Jessica Harper plays a young American scholarship student who uncovers witchcraft, torture and murder at her prestigious German dance school. Blazing with vivid primary colors and an unsettling score by progressive rockers Goblin, Suspiria is an immersive journey into a nocturnal occult realm whose sumptuous beauty helps excuse its deranged plot and badly dubbed dialogue. -- SD
'Halloween' (1978)
Shot for just $300,000, director John Carpenter’s low-budget slasher classic rewrote the horror rulebook with its roving Steadicam shots, archetype-defining Final Girl heroine and disturbingly familiar setting in contemporary Middle American suburbia. In an inspired homage to Hitchcock’s Psycho, Carpenter cast Janet Leigh’s daughter Jamie Lee Curtis in her scream-queen debut as a teenage babysitter stalked by a psychotic family annihilator who escapes to kill again after 16 years behind bars. Despite its slender budget and minimal special effects, this mini-masterpiece of suspense became a hugely profitable hit and spawned a long-running franchise. -- SD
'Alien' (1979)
Much imitated, never equaled, Ridley Scott’s classic is a textbook example of how brooding atmosphere, sustained dread, masterful design, sharp character development and withheld exposure to the encroaching monster(s) can shape a movie that delivers emotional involvement on a par with its visceral terror. Sigourney Weaver’s Ripley is a frontier fighter for the ages, a character that remained compelling through three variable sequels, the best of them being James Cameron’s kickass Aliens. And "In space no one can hear you scream" is one of the all-time great taglines.
-- DR
'The Brood' (1979)
Co-starring Oliver Reed and Samantha Eggar, this slow-burn exercise in cerebral body horror helped shift Canadian auteur David Cronenberg from marginal cult director to left-field household name. Reed plays the creepy maverick doctor who runs a radical therapy scheme, and Eggar the psychologically scarred mother to a freakish litter of killer children. A queasy satire on psychotherapy and family values, Cronenberg calls The Brood his most autobiographical film, as he was locked in a bitter custody battle with his first wife at the time.
-- SD
'The Shining' (1980)
Stanley Kubrick made his last authentic masterpiece with this hallucinatory trip into the Twilight Zone, freely adapted from the Stephen King novel. Jack Nicholson gives a combustible performance as a mentally fragile writer slowly losing his mind in a remote, empty, haunted hotel over the snowbound winter season. Co-starring Shelley Duvall and Danny Lloyd, The Shining actually makes little narrative sense, but its strikingly surreal nightmare visuals are brilliantly orchestrated by Kubrick, who was partly inspired by David Lynch’s Eraserhead. King disowned the movie, directing his own inferior TV remake in 1997. -- SD
'A Nightmare on Elm Street' (1984)
More witty and subversive than the long-running slasher franchise it launched, Wes Craven’s postmodern reboot of the pulp horror genre made a cult antihero out of its child-killing villain Freddy Krueger, a knife-fingered monster from the darkest depths of collective folk myth. The suburban high school victims in this darkly funny fairy tale are unable to sleep, because Freddy haunts their dreams. Heather Langenkamp stars, while a young Johnny Depp meets his maker in memorably gory fashion. In an elegant example of revenge being served cold, Craven named Krueger after a sadistic bully from his school days.
-- SD
'The Vanishing' (aka 'Spoorloos,' 1988)
Like Haneke with Funny Games, Dutch director George Sluizer made this story twice (the remake came out in 1993), but the original 1988 version cannot be beat. Playing off the universal fear of losing a loved one suddenly when they slip out of sight for a moment, the story tracks a man over several years searching for his girlfriend who vanished at a gas station. Not advisable viewing for claustrophobics, the last reel offers a shocking but entirely satisfying sense of closure (forgive the pun) with a supernatural tinge. -- LF
'Funny Games' (1997)
In many ways, this sly, horrifically disturbing subversion of the besieged-family subgenre is the film that properly launched Michael Haneke as an international auteur. A bourgeois Austrian family let two strangers in the door who turn out to be psychotic killers. What really makes the film outstandingly unusual is the way the killers break the fourth wall, turning to the camera to address the audience, making us feel complicit in the violence. Bonus points for Lothar’s screaming, arguably one of the most chilling effects in film history. Haneke himself directed a much less interesting remake set in the U.S. starring Naomi Watts in 2007. -- LF
'Ringu' (1998)
Although Japan has a long and illustrious history of ghost stories and films, Hideo Nakata’s creeptastic tale is the one that really put J-horror on the international map. The gimmick here is a videotape (remember them) that, once watched summons an aggrieved, now iconic ghost with bedraggled long hair and a zombie shuffle who, at one utterly terrifying and impressively rendered point, emerges out of a TV set itself to scare a victim to death. The film was respectably remade in English by Gore Verbinski in 2002 with Naomi Watts, queen of remakes, in the starring role.
-- LF
'28 Days Later' (2002)
Would The Walking Dead ever have happened without the eclectic Danny Boyle’s pivotal moment in the contemporary reinvention of the zombie flick? Hard to say, but the AMC hit surely owes as much to this influential feature as it does to the genre classics of George A. Romero and his imitators. A survival tale set in a postapocalyptic London, it placed Cillian Murphy in the path of undead biters that were fast on their feet (no more somnambulant shuffling, thank you) and riddled with a virus that made them mad as hell. Throw in an allegory about humankind’s savage nature in a depersonalized world and you have a low-budget chiller that’s smart, scary and suspenseful. -- DR
'Wolf Creek' (2005)
Greg McLean’s low-budget Australian slasher movies pushes the film-of-two-halves formula to the limit, which the first part seemingly all about footloose backpackers bumming around the outback who suddenly, in the second half, come to a serious cropper at the hands of the seemingly affable bloke who gave them a lift. In retrospect, this was on the cresting wave of torture porn pics like Saw and Hostel that came out around the same time, but with less misanthropic nastiness at its heart and a grittier sense of realism, befitting the “based on a true story” hype. -- LF
'Let the Right One In' (2008)
Swedish director Tomas Alfredson’s 2008 love story between a bullied 12-year-old boy and his mysterious new female neighbor, who confesses, “I have been this age for a very long time,” distanced itself with restraint and intelligence from the murky thicket of swooning teen vampires then crowding the multiplex. The sad ’80s knitwear and institutional housing give this the austere atmosphere of a Krzysztof Kieslowski movie, and the expert balance of tenderness and creepiness, enhanced by exquisite use of music, makes it linger long in the mind. The 2010 U.S. remake, Let Me In, with Chloe Moretz, is solid, but the original is the keeper. -- DR
You might get a chance to get your hands on Google Glass sooner than you expected. The Financial Times is reporting that Google is making "tens of thousands" more pairs in the next few months.
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Source: http://feeds.gawker.com/~r/gizmodo/full/~3/fs0o_68jUzA/report-its-going-to-be-a-whole-lot-easier-to-get-goog-1453558337
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PUBLIC RELEASE DATE: 29-Oct-2013
ShareContact: Meichun Mohler-Kuo
Meichun.mohler-kuo@uzh.ch
41-446-344-637
University of Zurich
Sexual abuse of children and adolescents can have serious health consequences for victims. Early studies have revealed that child sexual abuse is associated with an increased risk of later mental and physical health problems and risk-taking behavior. The Institute of Social and Preventive Medicine at the University of Zurich, the Psychosomatics and Psychiatry Department at Zurich's University Children's Hospital and the Department of Psychiatry and Psychotherapy at University Hospital Zurich discovered that sexual abuse is alarmingly widespread in a representative sample of more than 6,000 9th grade students in Switzerland.
Sexual harassment via the Internet is mentioned most frequently
Among the study participants, mainly between 15 and 17 years old, roughly 40 percent of girls and 17 percent of boys reported they had experienced at least one type of child sexual abuse. Relative to boys, sexual abuse without physical contact was reported twice as often in girls and sexual abuse with physical contact without penetration three times more often. Both genders reported "sexual harassment via the Internet" as the most frequent form of abuse. This form of sexual abuse was experienced by roughly 28 percent of girls over the course of their lifetimes and by almost 10 percent of boys. At just under 15 percent for girls versus 5 percent for boys, "molested verbally or by e-mail/text message" was the second most common form of abuse. Just under 12 percent of the surveyed girls and 4 percent of the surveyed boys reported having been kissed or touched against their will. Approximately 2.5 percent of the girls had already experienced sexual abuse with penetration (vaginal, oral, anal or other); among boys, this figure was 0.6 percent.
The results of the Zurich study are comparable to those of an earlier Swiss study which was conducted in Geneva between 1995 and 1996 in a similar age group asked similar questions. The prevalence of sexual abuse with physical contact is almost unchanged today. However, sexual abuse without physical contact occurs far more frequently. "We believe that this difference can be attributed to harassment via the Internet, e-mail, or text messaging. This type of sexual abuse was not surveyed back then", explains Dr. Meichun Mohler-Kuo, senior research scientist at the Institute of Social and Preventive Medicine at the University of Zurich.
The majority were victimized by juvenile perpetrators
Just over half of the female victims and more than 70 percent of the male victims reported that they had been abused by a juvenile perpetrator. Furthermore, most of the victims of sexual abuse with physical contact knew the perpetrator for instance, they were partners, peers, or acquaintances. "This new trend towards the majority being juvenile perpetrators, and being peers and acquaintances, is in contrast to the Geneva study, and might indicate increased violent behavior among adolescents", explains Dr. Ulrich Schnyder, Head of the Department of Psychiatry and Psychotherapy at University Hospital Zurich. And he adds: "Our results also differ considerably from official police reports, according to which perpetrators are usually adult, male relatives." This would seem to indicate significant under-reporting of abuse to officials.
The majority did not disclose sexual abuse
Only about half of victimized girls and less than one-third of victimized boys disclosed their sexual abuse experiences. The disclosure rate is even lower with more severe forms of sexual abuse. Most victims who do disclose, do so to their peers; less than 20 percent to their families. Fewer than 10 percent of victims reported the sexual abuse to police. "Compared to similar studies from other countries, the disclosure figures in the Swiss study are low. The reluctance in reporting incidents of this kind to family members or authorities makes timely intervention more difficult," concludes Dr. Schnyder.
###
Literature:
Meichun Mohler-Kuo, Markus A. Landolt, Thomas Maier, Verena Schnbucher, Ursula Meidert, Ulrich Schnyder. Child sexual abuse revisited: A population-based cross-sectional study among Swiss adolescents. Journal of adolescent health. October 29, 2013.
Background
The survey was conducted in 22 cantons. The study examined the prevalence, characteristics, and circumstances of sexual abuse over each child's entire lifetime and over the course of the previous 12 months. A distinction was made between the following forms of sexual abuse in the study:
Sexual abuse without physical contact
Sexual abuse with physical contact without penetration
Sexual abuse with penetration
The survey is part of the Optimus Study which was conducted by the Institute of Social and Preventive Medicine of the University of Zurich, the Department of Psychiatry and Psychotherapy of the University Hospital Zurich, and the Department of Psychosomatics and Psychiatry of the Zurich's University Children's Hospital. The Optimus Study was initiated and financed by the UBS Optimus Foundation (http://www.optimusstudy.org).
Contact:
Prof. Dr. med. Ulrich Schnyder
Department of Psychiatry and Psychotherapy
University Hospital Zurich
Tel. +41 44 255 52 51
Email: ulrich.schnyder@access.uzh.ch
PD Dr. Meichun Mohler-Kuo
Institute of Social and Preventive Medicine
University of Zurich
Tel. +41 44 634 46 37
Email: Meichun.mohler-kuo@uzh.ch
Share
AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.
PUBLIC RELEASE DATE: 29-Oct-2013
ShareContact: Meichun Mohler-Kuo
Meichun.mohler-kuo@uzh.ch
41-446-344-637
University of Zurich
Sexual abuse of children and adolescents can have serious health consequences for victims. Early studies have revealed that child sexual abuse is associated with an increased risk of later mental and physical health problems and risk-taking behavior. The Institute of Social and Preventive Medicine at the University of Zurich, the Psychosomatics and Psychiatry Department at Zurich's University Children's Hospital and the Department of Psychiatry and Psychotherapy at University Hospital Zurich discovered that sexual abuse is alarmingly widespread in a representative sample of more than 6,000 9th grade students in Switzerland.
Sexual harassment via the Internet is mentioned most frequently
Among the study participants, mainly between 15 and 17 years old, roughly 40 percent of girls and 17 percent of boys reported they had experienced at least one type of child sexual abuse. Relative to boys, sexual abuse without physical contact was reported twice as often in girls and sexual abuse with physical contact without penetration three times more often. Both genders reported "sexual harassment via the Internet" as the most frequent form of abuse. This form of sexual abuse was experienced by roughly 28 percent of girls over the course of their lifetimes and by almost 10 percent of boys. At just under 15 percent for girls versus 5 percent for boys, "molested verbally or by e-mail/text message" was the second most common form of abuse. Just under 12 percent of the surveyed girls and 4 percent of the surveyed boys reported having been kissed or touched against their will. Approximately 2.5 percent of the girls had already experienced sexual abuse with penetration (vaginal, oral, anal or other); among boys, this figure was 0.6 percent.
The results of the Zurich study are comparable to those of an earlier Swiss study which was conducted in Geneva between 1995 and 1996 in a similar age group asked similar questions. The prevalence of sexual abuse with physical contact is almost unchanged today. However, sexual abuse without physical contact occurs far more frequently. "We believe that this difference can be attributed to harassment via the Internet, e-mail, or text messaging. This type of sexual abuse was not surveyed back then", explains Dr. Meichun Mohler-Kuo, senior research scientist at the Institute of Social and Preventive Medicine at the University of Zurich.
The majority were victimized by juvenile perpetrators
Just over half of the female victims and more than 70 percent of the male victims reported that they had been abused by a juvenile perpetrator. Furthermore, most of the victims of sexual abuse with physical contact knew the perpetrator for instance, they were partners, peers, or acquaintances. "This new trend towards the majority being juvenile perpetrators, and being peers and acquaintances, is in contrast to the Geneva study, and might indicate increased violent behavior among adolescents", explains Dr. Ulrich Schnyder, Head of the Department of Psychiatry and Psychotherapy at University Hospital Zurich. And he adds: "Our results also differ considerably from official police reports, according to which perpetrators are usually adult, male relatives." This would seem to indicate significant under-reporting of abuse to officials.
The majority did not disclose sexual abuse
Only about half of victimized girls and less than one-third of victimized boys disclosed their sexual abuse experiences. The disclosure rate is even lower with more severe forms of sexual abuse. Most victims who do disclose, do so to their peers; less than 20 percent to their families. Fewer than 10 percent of victims reported the sexual abuse to police. "Compared to similar studies from other countries, the disclosure figures in the Swiss study are low. The reluctance in reporting incidents of this kind to family members or authorities makes timely intervention more difficult," concludes Dr. Schnyder.
###
Literature:
Meichun Mohler-Kuo, Markus A. Landolt, Thomas Maier, Verena Schnbucher, Ursula Meidert, Ulrich Schnyder. Child sexual abuse revisited: A population-based cross-sectional study among Swiss adolescents. Journal of adolescent health. October 29, 2013.
Background
The survey was conducted in 22 cantons. The study examined the prevalence, characteristics, and circumstances of sexual abuse over each child's entire lifetime and over the course of the previous 12 months. A distinction was made between the following forms of sexual abuse in the study:
Sexual abuse without physical contact
Sexual abuse with physical contact without penetration
Sexual abuse with penetration
The survey is part of the Optimus Study which was conducted by the Institute of Social and Preventive Medicine of the University of Zurich, the Department of Psychiatry and Psychotherapy of the University Hospital Zurich, and the Department of Psychosomatics and Psychiatry of the Zurich's University Children's Hospital. The Optimus Study was initiated and financed by the UBS Optimus Foundation (http://www.optimusstudy.org).
Contact:
Prof. Dr. med. Ulrich Schnyder
Department of Psychiatry and Psychotherapy
University Hospital Zurich
Tel. +41 44 255 52 51
Email: ulrich.schnyder@access.uzh.ch
PD Dr. Meichun Mohler-Kuo
Institute of Social and Preventive Medicine
University of Zurich
Tel. +41 44 634 46 37
Email: Meichun.mohler-kuo@uzh.ch
Share
AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.
